Thursday, January 18, 2018

Character Descriptions: How Much of Their Appearance Do You Want to See?

I saw a reader poll on the "Romance Writers" Facebook group I belong to, which asks how much detail is enough for you to picture fictional characters while reading: every facial feature and hairstyle, hand gestures, body language, voice, clothes, race/ethnicity, or very little, to leave it up to your imagination?

Here's the poll:

How important is it to know exactly what the characters you're reading about look like?

a) I want to feel that I know the character, but only distinctive features, voice/scars/height/race.
b) Very important. I want to be able to have a fixed picture in my mind.
c) I want to know what they wear, down to their shoes and make-up, otherwise I'll keep flicking back looking for a description.
d) Just a mention of race/height/hair/eye color once in the story is enough.

I write historical novels about real people, but if there are no existing portraits of them, I try to find a real person I can imagine that character as--for instance, in my biographical novel Sharing Hamilton, his mistress Maria's husband James has no existing portraits. He was Scottish, and I pictured him as the Scottish comedian Billy Connolly. It made it SO much easier to write about him; he came alive for me.

Billy Connolly (James Reynolds in my book SHARING HAMILTON) 

Any All My Children fans still out there? Anyone remember actor Michael Nouri, who played "Mountain Man" Caleb, whose house Erica Kane's plane crashed into? (she walked away without breaking a nail, of course!)

In my biographical novel Eliza Jumel Burr, Vice Queen of the United States, I pictured her first husband Stephen Jumel as Michael. After that, he also came alive!

Michael Nouri (Stephen Jumel in my book ELIZA JUMEL BURR, VICE QUEEN OF THE UNITED STATES)

Also from All My Children, I pictured the actor Vincent Irizarry as my hero Fausto in my vampire romance A BLOODY GOOD CRUISE.



So, picturing the characters is most important to me. Also, good dialogue is important; every character should have a distinctive voice. But don't go overboard on the dialect--I once read a book with a Scottish hero, and his dialect was so distracting, I had to translate as I went along.

Comments anyone?

Friday, January 12, 2018

ONEY, MY ESCAPE FROM SLAVERY On Sale Now

I'm happy to announce my biographical novel about Oney Judge was released today. 
It's available for Kindle, and will be in paperback shortly.
Thank you, readers, for your support in pre-orders! 



Purchase ONEY on Amazon

Wednesday, January 10, 2018

Meet Jill Blake & Read about A Prescription Romance!

THE BURNOUT CURE
A Prescription: Romance! Book
by Jill Blake

Thursday, January 4, 2018

Visit me in The Boston Voyager, Boston's Most Inspiring Stories

I'm featured in The Boston Voyager, read about my books and my construction cost consulting business, CostPro, in Boston!

Click here to enter The Boston Voyager


Saturday, December 30, 2017

Wednesday, December 20, 2017

Visit Me on Long & Short Reviews Winter Blog Fest for My Contest and More! A Prize on Every Post!


Visit me on Long & Short Reviews and leave a comment for a chance to win my historical romance FROM HERE TO FOURTEENTH STREET for your Kindle. Click here to visit Long & Short Reviews








Friday, December 15, 2017

ONEY: MY ESCAPE FROM SLAVERY Now Available for Pre-Order


When I decided to write a biographical novel about Martha Washington, I wanted to use someone else as narrator: maybe her granddaughter or a friend...but it hit me like lightning...Oney Judge, her 'favorite servant' (but a slave, of course) she let work in the "big house" at Mount Vernon. It slowly became Oney's story. My friend, author Piper Huguley, helped me and the result is ONEY, MY ESCAPE FROM SLAVERY. Oney thirsted for her freedom. One evening she walked past the Washingtons as they ate dinner and out the door, never to return. A very brave girl. I greatly admire her.

Pre-Order ONEY here